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Gear: Aside from the
5D MKII my lens of choice was the Canon
EF 24-70mm f/2.8 L lens.
This lens proved to be a great help in low light situations and is perfect for run and gun style shootings.
I tend to stay around 24 for most hand held work because it just helps keep the image steady
but there were occasions where I did zoom in, you just have to watch the motion.
Marc used the Canon
EF 24-105 f/4 with IS. The image stabilization seemed to work well
when he zoomed in which was helpful for those times where we couldn’t get close enough.
When we were shooting in low light he would be up in the
1600 ISO range where I was happy at
ISO 640.
So there are some trade offs.
Audio: I guess I could have included this in the gear section but I think audio is important
so it gets its own special section. We did have a
Zoom H4n and a
Rode microphone with us
and if I had an extra sound guy to follow us around I might have had it rolling sound.
We wanted to get some dialogue from Shane to lay down as voice over as well as an introduction
so when there were a few minutes to spare during lunch on one of the days we put Shane under a tree
with a
Sennheiser G3 wireless lavalier which
fed into the Zoom H4n and recorded away.
This was the only time we ended up using the second system sound.
Lighting: Well there wasn’t any – not by the behind the scenes crew anyway.
We relied on available light. Outdoors we used the sun to our advantage but had to ND the lens most of the time.
There were a few times where I just stopped the camera down past 11.
Usually lenses show their weaknesses when you go into the
11+ range but since we were not shooting things for beauty I wasn’t too concerned.
In fact the
images look pretty good and it allowed me to keep focus more easily. The choice was – worry about a less pristine image due to the aperture or an out of focus image.
I would rather have the focus, at least in this situation.
During the lower light scenes and night shots we tried to use the set lighting as much as possible.
There were times where I was wide
open at 2.8 and 640 ISO or higher but the camera held up fine.
It’s just that pulling focus can be a problem at this point so I highly suggest getting use
to
using the cameras 10x magnification feature, finding a focus point and then hitting record quickly
or
using something like the Zacuto ZFinder.
Canon 5D First Person Perspective
HV Elite Team member Bodie Orman wearing the Doggiecam Helmet
Director Po Chan and Shane with HV Elite Team Members in action
Vietnam scene with HV Elite Team Members Darin Necessary and Bodie Orman
Shane and The Hurlbut Visuals Elite Team
Director Po Chan, Rudy Harbon, Shane and Marc Marguiles check out a shot
Shane, Tim Holtermann and Derek Edwards With the Helmet Cam
Derek Edwards, Tim Holtermann, Antonio Soriano and Shane
Shane and Kyra Hurlbut
Rudy Harbon, Shane and Derek Edwards discuss a shot
Marc Marguiles, Shane and Derek Edwards
Marc Marguiles, Po Chan, Darin Necessary, Bodie Orman and Shane
อ้างอิงจากที่นี่ครับ
http://hurlbutvisuals.com/blog/2010/04/16/the-making-of-the-last-3-minutes/
