http://www.cinedeck.com/content/#/?type=serial
It is an extremely capable, upgradeable, highly rugged, portable, direct-to-disk, cinema-grade HD/2K video recorder designed and built by cinematographers for cinematographers.
It is compatible with HDMI/HD-SDI/LAN cameras and records “Visually Perfect” CineForm™ Digital Intermediate files in MOV format via HDMI and single/dual link HD-SDI.
It has a built-in 7” high-res preview/focus/playback monitor and physical button interface for all commonly used functions. Record settings and playback transport are accessed via touch screen interface.
IT SETS YOU FREE to capture your vision unfettered by the physical constraints of traditional high-quality recording gear or the quality limitations of existing portable recording solutions.
MONITOR:
Monitor video realtime, both on and offboard while using the onscreen edge focus, clipping, waveform, scopes and histogram to seize perfect control of your recording. Monitor audio via onboard headphone jack while toggling between audio inputs or listen to a mix of all inputs while simultaneously viewing the on-screen recording level display.
RECORD:
Cinedeck EXTREME captures edit-ready 10 bit 4:2:2 or 12 bit 4:4:4 CineForm Digital Intermediates in MOV format via HD-SDI or HDMI. Records to standard removable laptop SSD for maximum compatibility/reliability and cost-effectiveness.
REVIEW:
Play back your shots instantly via full-featured vtr-style transport controls onscreen.
ANNOTATE:
Edit your metadata directly with onscreen keyboard.
WHY IS IT SO COOL
- It levels the playing field... It gives anyone with a HDMI/HD-SDI/LAN-capable
camera access to onboard cinema-grade recording in the field or on set,
at a price that nearly anyone can afford.
- It’s actually portable.... It’s a focus monitor, recording deck and
preview/playback monitor in one ultra-compact, lightweight package.
You can take it literally anywhere you can take a camera.
- It extends the life of legacy cameras.... It enables many legacy cameras
with high quality sensors to bypass their lesser quality on board tape or
media recorders (DV, HDV, DVCPRO-HD), effectively extending the life of a
wide array of camera equipment.
- It's upgradeable... It ensures the system is always up-to-date;
adding new levels of flexibility, extensibility and providing future-proofing
investment protection.
- It’s massively compatible... Cinedeck EXTREME uses standard removable 2.5"
laptop form factor SSD recording media. The captured files are ready for
editing immediately in Apple Final Cut Pro, Avid Media Composer v5.0, and
Adobe Premiere Pro. Time consuming ingest and transcoding has been
eliminated.
- It’s designed with travelling light in mind... Cinedeck EXTREME weighs
less than 4 pounds.
EXTREMELY PORTABLE MEANS EXTREMELY PORTABLE
At 5x8x3”, and weighing less than 4 pounds, Cinedeck EXTREME is about the same volume as a standard 7” on-camera focus monitor - and smaller and lighter than many.
With battery power via the built-in battery mount, (available Anton Bauer or V-Mount) or nearly any 12-28V DC power source you are free to take it wherever you can take a camera.
The solid state recording media means it is ideal for any environment, even the most demanding, including helicopters and off-road vehicles, and handheld/steadicam systems.
Wide ambient temperature stability and temperature controlled cooling means you can record in extreme temperatures.
Currently Cinedeck EXTREME supports cameras that output via HD-SDI and HDMI or LAN, including, but not limited to, the following tested cameras;
ARRI – D-21/ALEXA HD ONLY
CANON - XLH1S, XF305
PANASONIC - HVX 3700
PANAVISION – Genesis
SONY – F1500, F950, F900, EX1, EX3, F23, F35
Cinedeck EXTREME supports most common SD and HD formats:
HD Format Support
720p50, 720p59.94, 720p60, 1080PsF23.98, 1080p23.98, 1080PsF24, 1080p24, 1080PsF25, 1080p25, 1080PsF29.97, 1080p29.97, 1080PsF30, 1080p30, 1080i50, 1080p50, 1080i59.94, 1080p59.94, 1080i60, and 1080p60.
SD Format Support
625/25 PAL, 525/29.97 NTSC, 525/23.98 NTSC and 480p.
(plus realtime up/down conversion with hardware de-interlacing and 3:2 pulldown removal, and 23.98-->59i on playout options)
CineForm is simply the highest quality compression codec available for digital cinema, and recording with it is the ideal starting point for any 10 or 12 bit 2D or 3D workflow.
“With quality equal to or better than the highly respected HDCAM SR, CineForm software provides editorial workflow solutions optimized for use with industry-standard tools, with real-time engines, Active Metadata, and conversion utilities, all used together to improve the visual fidelity of your projects and reduce your time spent in post.”
Cineform is also an ideal archival format, with unmatched filesize/quality and platform-agnostic accessibility.
See
www.cineform.com for details and complete specs and white papers.
สรุปก็คือ จอที่สามารถ Capture สัญญาณผ่าน สาย HDMI/HD- SDI แล้วเลือก Format ได้สูงสุดที่ 2 K 10 bit 4:4:4
รองรับ ทั้ง HD และ SD เพื่อง่ายต่อการนำไปตัดต่อใน Finalcut และ Avid และโปรแกรมอื่นๆ
แล้วยังมีการสร้าง Time Code หรือ Sync จากภายนอกได้ หน้าจอเป็น แบบ Touchscreen
มี เครื่องมือ Wave Form Vecterscope เช็ค Focus เช็ค Over Under สร้างไฟล์ลง memory
บันทึกเสียงจาก External และอื่นๆ อีกมากมายตามที่ Review ข้างบนครับ
ปล.สำหรับคนที่ใช้ CanonDSLR ที่เบื่อไฟล์ MP4 H264 ที่บีบอัดมากๆจนทำให้สูญเสียสัญญาณภาพที่แท้จริงของมัน
ใช้จอนี้ Capture ผ่านเลยแล้วเลือก Format ที่บีบอัดน้อยและสามารถนำไปใช้ตัดต่อได้ง่ายๆ ไม่ต้อง Render ไฟล์เยอะๆ
แถมมี Time Code ให้อีกเผื่อการ Sync Sound แนะนำสำหรับคนมีตังครับราคาประมาณ 2 แสนกว่าๆ เฮ้อ แพงได้อีก
[ แก้ไขล่าสุดโดย jobfilm เมื่อ 2010-06-29 00:51 ]
